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Portfolio 作品集

Portfolio 作品集

2025年03月02日

Portfolio 作品集

目錄

Introduction 簡介

My past experiences are quite diverse. It all started with a five-year entrepreneurial journey in Shanghai, where I founded the cross-border community platform MeetUGo. During this period, I was involved in various roles including management, technology, marketing, and community operations. Over time, I shifted my focus from individual expertise to community management, particularly emphasizing blockchain principles, co-learning, and ecosystem development. This shift allowed me to design activities and manage teams with an ecosystem-building approach, rather than relying on a single professional skill set.

In the past five years, I have also led the establishment of the 115B Lab, which continues to focus on building a community ecosystem. Through activities and individual economic participation, we have been pushing forward this concept’s development and practice.

This portfolio not only highlights my management experiences but also includes attempts in non-work-related fields such as artistic creation, community operation, event organization, IT technology, and marketing technology. These works are still being compiled and reviewed, and I hope they can present my multidimensional experiences and creative philosophy.

我的過去經歷相當多元，從在上海度過五年的創業旅程開始，期間我創立了針對跨境人群的社群平台 MeetUGo，並涉獵了 管理、技術、行銷及社群營運等多方面的工作。在這段過程中，我逐漸將專注力從個人專業轉向 社群營運，特別是對 區塊鏈精神、共學 和生態系建設的深入關注。這樣的轉變使得後期的活動設計、團隊管理等創作，更多地著眼於整體生態的搭建，而非依賴單一的專業技能。

在近五年的工作中，我也主導建立了115B實驗室，這個實驗室延續了社群生態系建設的理念，並通過活動與個體的 經濟參與 推動這一理念的實踐與發展。

在這本作品集中，除了展示我的 管理經歷 外，還融入了不少 非工作領域的嘗試，如 藝術創作、社群營運、活動組織、IT 技術 和 行銷技術的實踐成果。這些作品仍在持續整理與回顧中，期待能呈現出我多維的經歷和創作理念。

Management 管理

021UP.Org

021up_flyer

021up is a community I initiated at the end of 2024, aiming to create a support platform for cross-border individuals from 0 to 1. Through decentralized participation, collaborative learning, and economic engagement and investment, we seek to help individuals gain more support in establishing their cross-border lives and careers.

Currently, we are still in the early stages, with a core focus on curating practical information related to cross-border communities, such as events, entrepreneurial opportunities, residency programs, and funding resources. We share these insights weekly across major communities, continuously expanding our influence and connecting with more partners.

021up是我自2024年底發起的社群，旨在為跨境人群打造一個從 0到1 的輔助平台。我們希望透過分散式共同參與、共學，以及經濟參與與投資，協助個人在跨境生活與事業的建立上獲得更多支持。

目前仍處於早期階段，核心工作聚焦於整理跨境族群相關的活動、創業機會、駐村計畫、補助資源等實用資訊，並每週定期分享至各大社群，持續累積影響力與連結更多夥伴。

  • Time/時間：2024 – Present / 2024年-至今
  • Role/角色：Founder / 發起人
  • Website/網站：021up.org
  • Community/社群：

115B Lab（Sustainable Income Lab）/115B實驗室（永續所得實驗室）

115B Lab is a project I initiated while working with the Magnific Intelligence Collective team, dedicated to building a co-learning and co-creation community focused on the Solidarity Regenerative Economy.

We promote the development of a Solidarity Regenerative Economy through resource mapping, resource activation, and the design and execution of participant-driven ecosystem incentives.

In various activities, we uphold the spirit of co-learning and deliberative participation, encouraging members to contribute resources, co-create, and share. Our community is not just a platform for exchanging information but also a space for practice.

As a Community Lead & Collaboration Facilitator, I am responsible for community structuring, external partnership negotiations, event planning, and hosting to foster cross-sector collaboration and diverse participation.

In 2024, 115B Lab was selected to join the 8th Cohort of the Social Innovation Lab under the Small and Medium Enterprise Administration, Ministry of Economic Affairs, Taiwan, further expanding our impact and deepening our practical actions.

115B實驗室是我在嘉鼎智能團隊工作期間推動的計畫，致力於打造一個聚焦團結再生經濟的共學與共創社群。

我們透過資源盤點、資源活化、參與者生態激勵設計與執行，共同推動團結再生經濟的發展。

在各類活動中，我們秉持共學與審議式參與的精神，鼓勵成員投入資源、共創共享，讓社群不僅是資訊交流的平台，更成為實踐場域。

作為社群主理人與社群協作激勵師，我負責社群架構建立、對外合作洽談，以及活動策劃與主持，促進跨界合作與多元參與。

2024 年，115B實驗室獲選進駐 經濟部中小及新創企業署—社會創新實驗中心（第 8 屆），進一步擴大影響力，深化我們的實踐行動。

MeetUGo

Founded in 2016, MeetUGo started as a startup competition project in Shenzhen before moving to Shanghai, where it officially became a company in 2018. Initially, MeetUGo was a social itinerary tool for cross-border users, allowing them to collect events of interest into a calendar and share them with friends.

Later, MeetUGo evolved into an event community for expatriate entrepreneurs in Shanghai, connecting international communities and collaborating with local government and venture capital firms to organize cross-border startup pitch events, hackathons, and more.

During this phase, we pioneered a co-learning model in events—rather than a traditional speaker-centric approach, we emphasized participant contributions and incentive mechanisms, turning each event into a co-created knowledge and experience-sharing space.

As the Founder, I was responsible for team recruitment and management, external partnerships, and led various aspects of technology development, event planning, and hosting at different stages.

After the COVID-19 pandemic in 2020, MeetUGo ceased operations, and I later joined Magnific Intelligence Collective, where I led the creation of 115B Lab, continuing my exploration of community-driven co-learning and economic participation.

MeetUGo 創立於 2016 年，最初於深圳參加創業比賽，隨後轉至上海發展，並於 2018 年正式成立公司。最初，MeetUGo 是一款 針對跨境人群的社交行程工具，用戶可將感興趣的活動收集至行事曆並分享給好友。

後來，MeetUGo 轉型為 上海外籍創業者的活動社群，串聯各大外籍社群，並與當地政府及創投機構合作，舉辦各類 跨境創業路演、黑客松 等活動。

在這一階段，我們開始推動 共學型活動，相較於傳統以講者為核心的模式，我們更強調 參與者的貢獻與激勵機制，讓每場活動成為知識與經驗的共同創造場域。

作為 創始人，我負責 團隊招募與管理、對外合作洽談，並在不同時期主導技術開發、活動策劃與主持。

2020 年疫情後，MeetUGo 停止營運，我隨後加入 嘉鼎智能 團隊，並推動 115B 實驗室 成立，延續對 社群共學與經濟參與 的探索。

Art 藝術

Work 作品:”When Others Describe My Body, The Voice Inside My Head Is…” 《當別人形容我的身材，我內心的聲音是…》

This work explores body image anxiety with a focus on physical appearance, divided into two parts: an interactive exhibition and an improvised performance. In the exhibition, I present my body change journey and related materials, allowing the audience to feel the emotions behind it. Participants can write about their own body experiences, others’ comments, and healing processes for self-healing.

The improvised performance combines the messages left by the audience with my personal experiences, presenting these emotions and journeys live.

The work aims to create an environment where the audience becomes a co-creator, achieving self-healing and mutual support through interaction.

這件作品探討身材為主的容貌焦慮，分為兩部分：互動展覽和即興行為表演。展覽中，我展示自己的身材變化過程和相關材料，讓觀眾感受其中的情感。參與者可以在展品中書寫自己的身材經歷、他人的評價與療癒過程，進行自我療癒。

即興行為表演則是將展覽中觀眾留下的訊息與我的經歷結合，現場呈現這些情感與經歷。

作品旨在創造一個環境，讓觀眾成為共同創作者，透過互動達成自我療癒和相互支持。

  • Time/時間: 2024
  • Role/角色: Participating Artist, Performer / 參展藝術家、演出
  • Exhibition/展覽: “My Face Is A Public Resource” / 《我的臉是公共財》
  • Link/連結: Instagram
  • Videos/影片: 1, 2, 3, 4, 5, 6, 7, 8

Work 作品 : Wang Molin x Tabby Cat Cultural Studio “Black” / 王墨林 x 虎斑貓文化工作室《黑色》

This work explores the left-wing movement of Taiwanese youth during the Japanese colonial era, particularly in the 1920s, from anti-Japanese resistance to the fight against imperialism, covering ideologies like democracy, communism, and anarchism. Many diverse historical voices have faded over time and are no longer presented. Through a report-theater style using extensive historical materials, combined with body and performance art, this work brings these lost voices back to life.

In this piece, I primarily perform as part of the choir, presenting historical materials and dialogues. Guided by the director, I also use body language to express various historical voices, allowing the audience to hear these overlooked stories once again.

這個作品探討台灣日治時期，特別是1920年代的左翼運動青年，從抗日運動到抵抗帝國主義的運動，涵蓋民主主義、共產主義、無政府主義等不同的思想。許多多元的歷史聲音隨著時代的變遷逐漸消失，這個作品透過報告劇和大量歷史資料，並結合身體和行為藝術，重新呈現這些被遺忘的聲音。

在這個作品中，我主要扮演歌隊的角色，將歷史資料與對話呈現出來。同時，在導演的引導下，我利用身體語言來發出各種不同的歷史聲音，讓觀眾重新聽見這些被忽略的故事。

  • Time/時間: 2024
  • Role/角色: Reporter, Performer / 報告者、演出
  • Link/連結: Event Page
  • Snippet/剪影: Youtube/Do Not Share
  • Honor/榮譽: Guling Street Small Theater Annual Best Selection Award, Nomination for the 23rd Taishin Arts Award (First Season) / 牯嶺街小劇場年度優選獎、第23屆台新藝術獎第一季提名

Work 作品: “Crowd Participation” 《群眾參與》

In this work, I tie multiple ropes around myself and invite the audience to lead me to different places. Through the varying participation of the audience, a mixed dance dialogue is created between us, with me playing the role of consolidation. This co-created dance reflects on the possibilities that can arise from mass participation, as well as the various challenges and chaos that participants may have to endure during tumultuous times.

這個作品中，我將多條繩子綁在自己身上，並邀請觀眾將我帶到不同的地方。透過觀眾的不同參與，作品在我們之間產生了混合的舞蹈對話，而我在這其中扮演了收攏的角色。這樣的共創舞蹈不僅是與觀眾的互動，也在反思群眾參與所可能帶來的各種可能性，並思考在混亂時期中，參與者所必須承受的挑戰與衝突。

  • Time/時間: 2023
  • Role/角色: Dancer, Guide / 舞者、引導者
  • Occasion/場合: idt2023 Improvised Feast Open Showcase / idt2023 即興流水席 Open Showcase
  • Link/連結: Youtube Video

Other Content and Online Community Operations 其它內容及線上社群營運

Histock - HAPPY US Stock Academy / Histock-心智元美股學院

This is a project I participated in with the Jading Smart team, where I was primarily responsible for delivering and sharing insights on economic topics.

這是我在嘉鼎智能團隊參與的項目，主要負責經濟議題相關課程的講解與分享。

  • Time/時間: 2022
  • Role/角色: Personal Economic Design Lecturer / 個人經濟設計講師
  • Link/連結: HAPPY US Stock Academy

TV-No 無影不在

This is a streaming website I built during the pandemic, independently set up using WordPress, where I applied SEO and other digital marketing techniques. Even after three years of inactivity, the site still maintains nearly 4,000 active users annually and has organically gained over 4,000 Facebook followers.

這是我在疫情期間打造的追劇網站，獨立使用 WordPress 架設，並透過該網站實踐 SEO 等技術。即使停運三年後，網站仍維持每年近 4000 名活躍用戶，並自然累積超過 4000 名 Facebook 粉絲關注。

  • Time/時間: 2020-2021
  • Role/角色: Website Construction & Creation, Editing / 網站建設&創作及編輯
  • Link/連結: TV-No
  • Facebook Page/粉專: Facebook Fan Page

LearnThings.Online Blockchain Learning Website 區塊鏈學習網站

This is a blockchain learning website I developed during the pandemic, primarily in English, relying entirely on SEO to connect with users from India and the United States.

這是我在疫情期間開發的區塊鏈學習網站，以英文為主要語言，並完全依靠 SEO 吸引來自印度和美國的用戶。

  • Time/時間: 2021
  • Role/角色: Website Construction & Creation, Editing / 網站建設&創作及編輯
  • Link/連結: LearnThings.Online

Huang Sir（Short Videos ） 黃舌（短影音）

This is a food and lifestyle video channel I managed while in Shanghai.

這是我在上海期間經營的飲食與生活主題影片頻道。

Toutiao 今日頭條@Huanry

This is a lifestyle and travel media platform I managed while in Shanghai.

這是我在上海期間經營的生活與旅遊主題文字媒體。

  • Time/時間: 2019-2023
  • Role/角色: Writer / Video Creator / 文字/影片創作者
  • Link/連結: Toutiao / 今日頭條

Technology 技術

Website Development 網站建設

In the early stages of starting MeetUGo, I was responsible for technical development and built the platform using the open-source Node.js framework, Keystone.js. As the business grew, I also utilized WordPress and other technologies to build websites with different functionalities to meet the needs of the community and events. This experience not only strengthened my technical skills but also helped me find a better balance between community operations and product development.

在 MeetUGo 創業初期，我曾親自負責技術開發，使用 Node.js 的開源框架 Keystone.js 搭建平台。隨著業務發展，我也運用 WordPress 及其他技術建立不同功能的網站，以滿足社群與活動的需求。這段經歷不僅強化了我在技術上的實作能力，也讓我在社群運營與產品開發之間取得更好的平衡。

SEO 搜尋引擎優化

During the pandemic when I returned to Taiwan, I created multiple websites using WordPress, focusing particularly on developing a drama-watching website. I utilized SEO optimization to increase the website’s exposure and traffic. Even after being inactive for three years, the website still maintained nearly 4,000 active users each year, demonstrating its stable influence.

Additionally, in 2021, I organized more than 10 co-learning events and shared my SEO experience and practices at various occasions, helping other entrepreneurs and professionals improve the visibility and traffic of their websites.

在回台的疫情期間，我利用 WordPress 建立了多個網站，特別專注於追劇網站的開發，並透過 SEO 優化提升網站曝光與流量。即使在停運三年後，該網站依然維持著每年接近 4000 名活躍用戶，顯示出其穩定的影響力。

此外，於 2021 年，我組織了超過 10 次共學活動，並在各種場合中分享我的 SEO 經驗與實踐，幫助其他創業者與專業人士提升網站的可見度與流量。

Publications 著作

This is my thesis from the master’s program in physics at National Taiwan University, exploring Erik Verlinde’s conjectures on the origins of inertia and gravity. In my research, I discovered that the two assumptions proposed by Verlinde can actually be reduced to one, with the second assumption being derivable from the first. Specifically, the “linear relation between particle displacement and mass” mentioned in Verlinde’s paper was independently assumed, whereas in my work, I demonstrate that this relation can be derived from the first assumption. First, we introduce the entropy-area law and equipartition rule for stationary black hole horizons, generalizing them to derive the equations for gravity. Then, we study the gravitational effects on a particle in an accelerating frame and derive the linear relation between displacement and mass, which is related to the concept of inertia. Through thermodynamic equilibrium analysis, we derive Newton’s second law of motion and explain the equivalence between inertial mass and gravitational mass. Finally, we discuss unsolved problems and unexplored areas in the field of entropic gravity.

這是我在台大物理碩士班的論文，探討Erik Verlinde提出的慣性和引力起源的猜想。在我的研究中，我發現Erik Verlinde所設定的兩個假設，其實可以縮減為一個，另一個可以由第一個推導出來。特別是，Verlinde文章中提到的『粒子位移與質量之間的線性關係』是被獨立假設的，而我在論文中證明這個關係可以由第一個假設推導出來。首先，我們介紹了靜止黑洞視界的熵-面積定律和能量均分規則，並將其推廣至任意靜止視界以推導引力方程。接著，研究了加速參考系中粒子的引力效應，並推導出粒子位移與質量之間的線性關係，這與慣性概念相關。通過熱平衡分析，我們得出了牛頓第二運動定律，並解釋了慣性質量與引力質量的等價性。最後，討論了熵引力領域中的未解問題。

Inertia and Gravity: Thermodynamics of Spacetime / 慣性與重力:時空熱力學

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